CASOS DE ESTUDIO
JUSTICIA RESTAURATIVA
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Author of case study: Marcela Torres Molano
Geopolitical location of space:
Cl. 9 #5-59
Cali, Valle del Cauca
Extant? Yes
Architects:
Fray Pedro Herrera and Perez de Arroyo in charge of brick facade and interiors.
First year of construction: 1773, further modifications have been done to the building.
4 & 5 of December 2016
An act of recognition of responsibilities and dignity of memory, between ex guerrilla members and the families of 12 Valle del Cauca deputies, who were kidnaped and killed in 2002.
One TJ act took place in this space. After the Peace agreement in Cuba, the family of the victims agreed to participate in a truth clarification and memory event for their families, as part of the national transitional justice process.
This is a Catholic church building, which is designed for religious ceremonies, therefore group listening, however the space is not specifically designed for this type of event.
Ex-members of the FARC guerrilla (responsible for the crime), and the victims’ families.
This is a private building that belongs to the catholic church, however it is a building for public use. The reconciliatory event was initially intended to be public and later was established it was only going to be among the families of the victims.
Cali was one of the most affected cities during the Colombian internal conflict. The Valle del Cauca Deputies hostage crisis was the kidnapping of 12 Deputies by FARC members. The guerrilla group wanted to pressure the government to establish a prisoner exchange, as well as to negotiate the demilitarisation of two towns of this region with the intention of initiating the peace dialogues.
The Saint Francis Church was built between 1803 and 1827. The church is composed of two different structures located right next to each other, forming a brick harmonious and coherent urban complex, and the entire front of the block that faces the Plaza de San Francisco. The temple has suffered the effects of the earthquakes of 1885, 1896 and 1925, but it maintains its original appearance.
The church has a rectangular plan which is divided into three naves with a central dome in front of the main altar. The neoclassical character of its architecture is particularly evident in the composition of the facade. The interior has been criticised for its decoration, which clearly does not harmonise with the façade.
The FARC publicly apologised during a meeting in the Saint Francis Church, one block away from the building where on 11 April, 2002, a group of FARC guerrillas kidnapped 12 deputies from the Valle del Cauca Department Assembly. The victims chose the Church, located in front of the local government, because it was the space where the families of the deputies previously met and prayed for the fate of their relatives. The event was open to the public, but not to the media in order to respect the victims’ pain. It was the first public act for the reparation of the victims of the kidnapping and murder of 11 of the 12 deputies, and was carried out as part of the Peace Agreement signed with the FARC in 2016.
Father De Roux witnessed the moment when Pablo Catatumbo, during the reconciliation act, expressed: “We had them in our hands, we killed them, we are responsible. We have no justification for this. We take full responsibility. We ask for forgiveness.” In response, De Roux commented: “I witnessed the strength of children, wives and brothers when expressing their pain and defending with courage their murdered relatives; and also of the unexpected generosity with which they agreed to forgive, to free themselves from the anguish of retaliation and to contribute to the peace of this country” (Quintero, 2018).
es autora, conferencista, columnista y podcaster en los campos de la arquitectura y las artes decorativas. Obtuvo su un pregrado en Comercio con especialización en Marketing de la Escuela de Negocios John Molson y actualmente se encuentra realizando su maestría en Historia del Arte en la Universidad de Concordia, Montreal. Además, estudió Psicología Industrial en Los Ángeles, California y es autora de dos libros sobre diseño (2015, 2018) publicados por Les Éditions Cardinal.
es colombiana, candidata a doctorado en el Departamento de Historia del Arte de la Universidad Concordia. Tiene experiencia en diseño arquitectónico y activismo comunitario y es maestra en Construcción y Diseño Urbano de la Escuela de Arquitectura Bartlett, Londres, Inglaterra. Sus intereses se centran en el arte y movimientos sociales, el activismo colaborativo en escenarios de posconflicto, el arte colectivo y el arte producido en relación con el entorno construido.
es candidato a doctorado en Humanidades de la Universidad de Concordia, enfocado en la agencia espacial, la estética social, las narrativas juveniles y las representaciones gráficas de la memoria urbana. Ha publicado sobre la relación entre los niños, el juego y el espacio público en Cartagena, Colombia. También ha trabajado como editor en proyectos literarios, entre ellos Territorio Fértil, que recibió el premio María Nelly Murillo Hinestroza de literatura afrocolombiana.
es profesora asociada y Catedrática de investigación de Canadá para la arquitectura de espacios de Justicia (Tier 2) en la Escuela de arquitectura Peter Guo-hua Fu de la Universidad de McGill University, Montréal, Canada. Se enfoca en la investigación de viviendas en entornos de bajos ingresos, diseño participativo, protesta civil, diseño urbano y paisajes y razas. Sus publicaciones incluyen el libro co-editado, Orienting Istanbul (2010) y el libro individual, Istanbul Open City (2018).
es una artista y profesora asociada y Catedrática de investigación de Canadá para la arquitectura de espacios de Justicia (Tier 2) en la Escuela de arquitectura Peter Guo-hua Fu de la Universidad de McGill University, Montréal, Canada. Se enfoca en la investigación de viviendas en entornos de bajos ingresos, diseño participativo, protesta civil, diseño urbano y paisajes y razas. Sus publicaciones incluyen el libro co-editado, Orienting Istanbul (2010) y el libro individual, Istanbul Open City (2018).
es el antiguo catedrático de Canadá en Historia Oral y performance (2016-2021), es profesor asociado al departamento de Teatro de la Universidad de Concordia y es codirector del Centro de Historia Oral e Historia digital (COHDS). Por medio de la financiación de Canada Foundation for Innovation, creo en 2018 el Laboratorio de actos de escucha , un centro líder de investigación y creación para el poder transformador de escuchar.