CASOS DE ESTUDIO
JUSTICIA RESTAURATIVA
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Author of case study: Marcela Torres Molano
Geopolitical location of space:
Cra. 7 #63-44
Bogotá, Cundinamarca
Extant? Yes
Architect:
Architect unknown
The Special Jurisdiction for Peace (in Spanish: Jurisdicción Especial para la Paz, JEP) has been in force in Colombia since March 2017, when it was approved in the Senate. It handles crimes committed during the armed conflict up until the signature of the Colombian Peace Accord in 2016.
The JEP is the Colombian transitional justice mechanism through which FARC members, members of the Colombian military forces, and third parties who have participated in the Colombian armed conflict are investigated and put on trial. It is a space for the encounters of offenders, survivors, and judges of the internal conflict. Housed in a repurposed building, the JEP was created to ensure the victims’ rights to justice and contribute to reparation.
Yes, the JEP is the main court for transitional justice in Colombia. It is the legal mechanism in charge of investigating the crimes committed during the conflict. Its spaces are used for encounters and public releases of the official reports. The court is focused on the most serious and representative crimes of the conflict, including the crimes committed by military forces and government officers. Within the scope of the court’s mandate, 38 magistrates will handle the crimes of more than 6.000 offenders, a process which includes encounters with survivors.
Yes, the rooms where encounters take place have been designed specifically to support active listening and eye contact between participants.
Perpetrators of serious crimes, including FARC members, military personnel, government officials, and survivors.
The official reports produced by the JEP and certain encounters are made public and are used to foster social dialogue on truth, reparation, and non-repetition of the conflict.
Building Torre Squadra
Architect: Unknown
Built area: 30,000 m2
Office area: 16,000 m2
Floor area: 1,400 m2 per floor
Lobby: 600 m2
It is a 12-storey building in a commercial area of the city. It is a building of contemporary architecture with glass façades, a terrace and a heliport on the last floor. It has five underground floors for parking with a capacity of 340 cars. On the second and third floors they have built five special courtrooms with a circular shape that allows eye contact between offenders and survivors. According to the executive secretary of the JEP, the circle shape has a symbolic meaning in comparison to the regular courtroom; it allows both the responsibility of the offenders and the emotions of survivors to be seen. The circle shape grants an opportunity for dialogue. “Architecture should never segregate or inhibit this opportunity…; therefore forgiveness and reconciliation processes must happen in a proper space” (Semana, 2018).
The building includes a technological system that allows the live presentations of encounters all over the Colombian territory to ensure the participation of all survivors and population. It also has sound-controlled rooms exclusively for survivors, who might need a space for reflection. It has one room dedicated to truth recognition, a room for investigating political crimes, and a sentencing room.
The JEP occupies a rented space (at a cost of approx. 430,369 USD per month). This has become a topic of controversy in the country. Political opponents of the JEP have been using the building cost as a reason to try to halt the work under its mandate.
Every courtroom has been decorated with institutional images, and judges must wear a special uniform of the JEP. From the outside, however, the building does not distinguish itself from the architectural style of the other buildings in the commercial sector where it is located. Moreover, it does not have any special insignia identifying it as Special Justice for Peace. The building’s location was a key consideration; being centrally located makes it easily accessible by public transportation.
es autora, conferencista, columnista y podcaster en los campos de la arquitectura y las artes decorativas. Obtuvo su un pregrado en Comercio con especialización en Marketing de la Escuela de Negocios John Molson y actualmente se encuentra realizando su maestría en Historia del Arte en la Universidad de Concordia, Montreal. Además, estudió Psicología Industrial en Los Ángeles, California y es autora de dos libros sobre diseño (2015, 2018) publicados por Les Éditions Cardinal.
es colombiana, candidata a doctorado en el Departamento de Historia del Arte de la Universidad Concordia. Tiene experiencia en diseño arquitectónico y activismo comunitario y es maestra en Construcción y Diseño Urbano de la Escuela de Arquitectura Bartlett, Londres, Inglaterra. Sus intereses se centran en el arte y movimientos sociales, el activismo colaborativo en escenarios de posconflicto, el arte colectivo y el arte producido en relación con el entorno construido.
es candidato a doctorado en Humanidades de la Universidad de Concordia, enfocado en la agencia espacial, la estética social, las narrativas juveniles y las representaciones gráficas de la memoria urbana. Ha publicado sobre la relación entre los niños, el juego y el espacio público en Cartagena, Colombia. También ha trabajado como editor en proyectos literarios, entre ellos Territorio Fértil, que recibió el premio María Nelly Murillo Hinestroza de literatura afrocolombiana.
es profesora asociada y Catedrática de investigación de Canadá para la arquitectura de espacios de Justicia (Tier 2) en la Escuela de arquitectura Peter Guo-hua Fu de la Universidad de McGill University, Montréal, Canada. Se enfoca en la investigación de viviendas en entornos de bajos ingresos, diseño participativo, protesta civil, diseño urbano y paisajes y razas. Sus publicaciones incluyen el libro co-editado, Orienting Istanbul (2010) y el libro individual, Istanbul Open City (2018).
es una artista y profesora asociada y Catedrática de investigación de Canadá para la arquitectura de espacios de Justicia (Tier 2) en la Escuela de arquitectura Peter Guo-hua Fu de la Universidad de McGill University, Montréal, Canada. Se enfoca en la investigación de viviendas en entornos de bajos ingresos, diseño participativo, protesta civil, diseño urbano y paisajes y razas. Sus publicaciones incluyen el libro co-editado, Orienting Istanbul (2010) y el libro individual, Istanbul Open City (2018).
es el antiguo catedrático de Canadá en Historia Oral y performance (2016-2021), es profesor asociado al departamento de Teatro de la Universidad de Concordia y es codirector del Centro de Historia Oral e Historia digital (COHDS). Por medio de la financiación de Canada Foundation for Innovation, creo en 2018 el Laboratorio de actos de escucha , un centro líder de investigación y creación para el poder transformador de escuchar.