Études de cas

Te Whare Whakapiki Wairua / Alcohol and Other Drug Treatment Court

Justice réparatrice

* For image references, please scroll to the bottom of the page.

Author of case study: Greg Labrosse

Geopolitical location of space:
65-69 Albert Street
Auckland 1010, New Zealand

Extant? Yes

Architect:
Original architect unknown

Timeframe of RJ/TJ process in this space:

The New Zealand government established the AODT Courts in 2012 as a 5-year pilot program, with the Ministry of Justice commissioning a formative and process evaluation. In 2016, Cabinet Paper agreed to extend the pilot until 2020. In December 2019, the Government announced the two pilot courts were now permanent, and that a third court would open in Waikato in 2020.

Background information:

The adult Alcohol and Other Drug Treatment Court was established in 2012 to pilot a new approach to offending which is fuelled by alcohol and other drug addiction. It targets offenders—especially those from the Māori community—who would otherwise be imprisoned, but whose offending is being fuelled by their unresolved “high-needs” issues of addiction or dependency. They are also assessed as being “high-risk” in terms of their non-compliance: in other words, past sentences and court orders made have not changed their situation. Consequently, they are on a treadmill of offending, typically being punished, but then going on to reoffend.

As an alternative to prison, the court applies evidence-based best practices in a potentially transformative program of case management, treatment, drug testing, monitoring and mentoring. Sentencing is deferred while participants go through the rigorous program, which includes regular court appearances to check on progress, and may take one to two years to complete.

Is restorative justice actually taking place in this space?

Yes. The New Zealand model includes the role of Pou Oranga, a position held by a person with a lived experience of recovery, treatment and sound knowledge of te reo Māori and tikanga. Peer support workers who also have a lived experience of recovery mentor participants while they are in the court, and community treatment services provide a range of treatment options all contributing to the work of the court in holding participants accountable for their offending by requiring them to address its underlying causes.

Is this space designed/arranged for safe listening?

The spaces where restorative justice takes place within the AODT court have been designed in partnership with the Māori community in accordance with its ‘two house’ model. This model maps the traditional courtroom to Tumutumuwhenua, the tupuna whare (ancestral house) on Ōrākei marae, while simultaneously relating these two houses to the three stages of recovery: serenity/te wairua mārie, courage/manawanui and wisdom/māramatanga.

There are three sections in the courtroom:

  1. the public gallery
  2. the mid-section, where prosecution, lawyers and case managers sit
  3. the last section, which is where the judge sits

The three core domains of Tumutumuwhenua parallel the courtroom space, as explained by the Pou Aranga:

“When you enter the tupuna whare, […] you enter the house in peace. When the pōwhiri (welcome) begins and the whaikōrero (formal speech) begins, it’s in the midsection, Tumutumuwhenua at this house. And to the wall of the tupuna whare is ngā tūpuna (ancestors) and the puna mātauranga, or the access to the wisdom of the past.”

Who is the audience/the intended participants for this space?

The AODT Court primarily serves members of the Māori community from Auckland and Waitākere.

How or to what extent is this space public?

The site is open to the public, but the AODT Court is focused on offering services to members of the Māori community.

What are the politics of this space, either in terms of its location, design, spatial, or visual aspects?

Although Maori make up 14% of the overall population, they represent over 50% of New Zealand’s prison population. As of June 2017, 13% of the prison population was incarcerated for drug offences, and 20% incarcerated for crimes of dishonesty such as theft. The Department of Corrections reported that two thirds of prisoners in New Zealand have substance abuse problems.

As such, the AODT Court aims to:

– Reduce reoffending and the use of imprisonment

– Reduce alcohol and other drug consumption and dependency

– Positively impact on health and wellbeing

– Be cost effective

The global growth in popularity of drug treatment courts instead of penal sentences reflects the growing international recognition that drug addiction is a social problem.

Physical/factual description of space:

Although the AODT Court is modeled on similar drugs courts operating in the United States (there are over 3.000 such courts operating in the U.S.), the ‘two house’ model adopted by the AODT Court in Auckland includes elements that are unique to the New Zealand context in which it operates and that relate to cultural responsiveness and partnership with the Māori community (as evidenced in the photos).

Analytical description of space:

The AODT Court delivers justice through a model of therapeutic interventions. The court’s objective is to help offenders deal with their addiction and criminal behaviour. Along the way, the multi-agency AODT team also works to help participants repair stressful social and emotional situations, such as homelessness and shattered relationships with whānau. It uses a pre-sentence model whereby sentence is deferred while the offender works their way through the drug court programme. It takes most graduates 12–18 months.

Evidence from similar courts overseas has clearly demonstrated that there is a significant reduction in reoffending, both in terms of the rates of reoffending and seriousness of it, where such a court applies evidence-based best practice, as occurs in the New Zealand pilot. There are demonstrated benefits using other measures too. For instance, contact with police drops dramatically for many AODT court participants as their lifestyles improve. The courts also witness a ripple effect of recovery as participants’ progress impacts positively on relationships with those around them, especially family members.

As at December 2019, more than 200 participants have graduated. Not only have these graduates completed their comprehensive and intensive individualised treatment plans, but they also contributed more than 38,000 hours in voluntary community work as a way of giving back to the community — around 185 hours per graduate.

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Études de cas

Vanessa Sicotte

est auteure, conférencière, chroniqueuse et podcasteuse dans les domaines de l'architecture et des arts décoratifs. Elle termine sa maîtrise en histoire de l'art à l'Université Concordia, à Montréal, et détient un baccalauréat en commerce avec une majeure en marketing de la John Molson School of Business. Elle a étudié la psychologie industrielle à Los Angeles, en Californie. Sicotte est l'auteure de deux ouvrages publiés sur le design (2015, 2018) aux éditions Cardinal.

Marcela Torres Molano

est candidate colombienne au doctorat au Département d'histoire de l'art de l'Université Concordia. Elle a une formation en design architectural et en activisme communautaire et détient une maîtrise en bâtiment et design urbain de la Bartlett School of Architecture à Londres, en Angleterre. Ses intérêts se concentrent sur l'art socialement engagé, les mouvements sociaux, l'activisme collaboratif dans des scénarios post-conflit, l'art produit collectivement et l'art produit en relation avec le cadre bâti.

Greg Labrosse

est candidat au doctorat en sciences humaines à l'Université Concordia. Ses recherches portent sur l'agentivité spatiale, l'esthétique sociale, les récits des jeunes et les représentations graphiques de la mémoire urbaine. Il a publié sur la relation entre les enfants, le jeu et l'espace public à Carthagène, en Colombie. Il a également travaillé comme éditeur sur des projets littéraires, dont Territorio Fértil, qui a reçu le prix María Nelly Murillo Hinestroza pour la littérature afro-colombienne.

Dr Ipek Türeli

est professeure agrégé et Chaire de recherche du Canada en architectures de justice spatiale (niveau 2) à l'École d'architecture Peter Guo-hua Fu de l'Université McGill, Montréal, Québec, Canada. Ses intérêts de recherche comprennent le logement à loyer modique et le design participatif, la protestation civile et le design urbain, ainsi que les paysages des campus et la race. Ses publications incluent le livre co-édité, Orienting Istanbul (2010) et le livre (auteure unique), Istanbul Open City (2018).

Dr Cynthia Imogen Hammond

est artiste et professeure d'histoire de l'art à l'Université Concordia. Ses travaux portent sur les femmes et l'histoire du cadre bâti, les paysages urbains, la recherche-création et l'histoire orale. Elle a publié sur l'histoire spatiale du mouvement pour le suffrage des femmes, l'art public, les jardins et les politiques du changement urbain. En plus de ses recherches sur les espaces de justice réparatrice et transitionnelle, elle dirige un projet d'histoire orale sur les mémoires urbaines des montréalais et montréalaises.

Luis C. Sotelo Castro

est un ancien titulaire de la Chaire de recherche du Canada en interprétation de l'histoire orale (2016-2021). Il est professeur agrégé au Département de théâtre de l'Université Concordia et codirecteur du Centre d’histoire orale et de récits numérisés (CHORN) de Concordia. Sa subvention de la Fondation canadienne pour l'innovation en infrastructure lui a permis de créer le Laboratoire d'écoute active (ALLab) en 2018. Basé au CHORN, l'ALLab est un centre de recherche-création de premier plan pour le pouvoir transformateur de l'écoute.